Powell Flutes

DIA POWELL em Lisboa: 16 de Outubro! Venham experimentar!

Tenho grandes notícias para todos os flautistas: dois Representantes da Powell Flutes, Boston, EUA, estarão em Lisboa todo o dia de Domingo, 16 de Outubro, com um vasto conjunto de flautas para todos experimentar!

O Daniel Sharp e a Rebecca Eckles da Powell vão trazer uma excelente seleção de flautas Powell Custom Handmade, inclusivo em platina, grenadilla, prata sterling, e o novo Ruby Aurumite. Vão trazer ainda cabeças Custom Handmade de vários materiais e cortes de embocadura, flautas Conservatory, Signature, Sonaré e flautins! Será uma verdadeira festa de flautas em Lisboa! 

Para saber mais pormenores, é só entrar em contacto comigo por email! Ficaremos à vossa espera para um dia como nenhum outro!

A sala de experimentar flautas na fábrica da Powell em Boston—estará em Lisboa Domingo, dia 16!

A sala de experimentar flautas na fábrica da Powell em Boston—estará em Lisboa Domingo, dia 16!

Powell Flutes USA in Lisbon! Sunday, October 16th!

I have exciting news: Representatives Daniel Sharp and Rebecca Eckles of Powell Flutes in Boston, USA, will be in LISBON on Sunday, October 16th, to show an amazing array of flutes, piccolos and head joints!! They are popping over from Spain for a long day of "flute talk" with anyone who would like to try out these amazing instruments. 

Daniel and Rebecca will be on hand, along with myself, with a selection of Handmade Custom flutes made in platinum, grenadilla, sterling silver, and the new Ruby Aurumite Custom Flute. In addition, there will be a selection of Custom headjoints and piccolos, Conservatory flutes, Signature flutes and piccolos, and Powell Sonaré flutes.

Take this first-time-ever opportunity to join us by sending me an email to receive details about time and location. See you then!

The flute-testing room at Powell's Boston factory—coming SOON to LISBON!

The flute-testing room at Powell's Boston factory—coming SOON to LISBON!

Traveling & Surprises in a Small, Small World

Unexpectedly, I needed to make a trip to my hometown in California, and thus this blog entry comes late, my apologies. The quickest route from Lisbon involves a very tight connection at the Paris airport (walk FAST) and then a very long direct flight from Paris to Los Angeles. Amazing double-decker plane from Airbus, see below!

Now, can you imagine that in such an enormous plane my seat is right next to a prominent musician of the Los Angeles Philharmonic? (To my Portuguese friends, this is like being seated next to Ronaldo!) I mean, the LA Phil is "my orchestra": I grew up going to their concerts every weekend, listening to my teacher, Principal Flute Anne Diener Zentner's wonderful playing, as well as unforgettable moments like Carlo Maria Giulini's inaugural concert as Principal Conductor—Beeethoven's "Egmont" and Ninth Symphony. Divine. Bought a student/last-minute ticket for $5 and sat in one of the best seats in the house.

As it turns out, my plane-neighbor was not yet in the LA Phil at that time, but there are many players I fondly remember who are still there now, such as Bassoonist Patricia Kindel, who coached my quintet at Pomona College. So what was to have been a long, dreary flight became  total entertainment of shop-talk and comparing notes! A new professional friendship was formed, and Los Angeles arrived in the blink of an eye.

Last but not least, at one point my neighbor asked out of the blue: "Do you play Powell? They're the best!" Mind you, my new friend is not a flutist, nor knows that I'm a Powell dealer/player. But that is how Powell is considered by top musicians: the top, for the top jobs, worldwide!

The view before boarding—beautiful aeronautic design!

The view before boarding—beautiful aeronautic design!

Pointers for choosing a Flute Head Joint (1)

One way to upgrade your flute and keep to a budget is to substitute the head joint for one of the many head joints produced by Powell Flutes. The variety available is truly amazing, from different materials: sterling silver, Aurumite® 9k and Aurumite® 14k, yellow, rose and white gold of different weights, platinum and grenadilla wood! Furthermore, there are now four different "cuts", all of which produce the famous Powell projection and colors, but have slight differences that appeal to each player in a very personal way.

The best way to try out head joints is to make an appointment, and then experiment on every head joint you can possibly try—even ones that are out of your price range—in order to get an idea of what you like. Because there really are no "shoulds" in choosing a head joint: there is no point in choosing a head based on what your teacher or a famous flutist plays or what you think you should like. The only important things is how you feel playing it, and how it sounds TO YOU as you play it. Ideally, you can also get important feedback about projection from me or another musician, standing at some distance from you as you play.

You should play passages in all registers and dynamics, legato and articulated, in order to get a feel for the response in these different musical situations. Take your time and have fun in the process—with luck and a relaxed, experimental frame of mind, you're likely to find just the right head joint FOR YOU

Powell Head Joints - gorgeous!

Powell Head Joints - gorgeous!

Bruckner - an unexpected pleasure

The season begins! First concert features Bruckner Symphony #4, "The Romantic" (1878-80), which is an indulgently long, warm work that grows on you! While it may lack the fire and wildness of Mahler or Strauss, you just have to sit back a little and enjoy the "landscape" slowly passing by, the wonderful evolution of the harmonies, the occasional asides into Viennese tenderness, and of course the remarkable glow of the big brass writing. Sublime. And a good excuse to use my Powell Grenadilla flute; just the right colors!

The concert will be Sunday, Sept. 18th, at 5pm at the C.C.B. in Lisbon, and features the much more modern Lutoslawski Cello Concerto (1970) with Johannes Moser as soloist on the first half of the concert. I'm looking forward to working on that tomorrow—playing the piece, and hearing some wonderful cello playing! Two very complimentary/contrasting works to make a very balanced program—a great start to the season! Lutoslawski in black and white; Bruckner in color—

Congratulations, Aldo Baerten!

Great news from the fabulous flutist Aldo Baerten, our guest teacher at the 4th Summer Flute Academy:

Aldo Baerten will leave the Münster Musikhochschule and replace Professor Marina Piccinini at the Hochschule für Musik, Theater und Median in Hannover, Germany. He will keep his positions as Principal Flute with the Royal Flemish Philharmonic and at the Music Universities in Antwerp and Utrecht.

As we saw during his recital and master class at the Academy, Aldo is a wonderful musician, flutist and teacher, inspiring and warm, so the Hannover Hochschule is very lucky to get him! Aldo, a Powell Flute Artist, was sponsored at the Academy by the generosity of Powell Flutes in Boston. BRAVO, Aldo, from your fans in Portugal!

Professor Aldo Baerten working with Constantino Dykiy at the 4th Summer Flute Academy.

Professor Aldo Baerten working with Constantino Dykiy at the 4th Summer Flute Academy.