DIA POWELL em Lisboa: 16 de Outubro! Venham experimentar!

Tenho grandes notícias para todos os flautistas: dois Representantes da Powell Flutes, Boston, EUA, estarão em Lisboa todo o dia de Domingo, 16 de Outubro, com um vasto conjunto de flautas para todos experimentar!

O Daniel Sharp e a Rebecca Eckles da Powell vão trazer uma excelente seleção de flautas Powell Custom Handmade, inclusivo em platina, grenadilla, prata sterling, e o novo Ruby Aurumite. Vão trazer ainda cabeças Custom Handmade de vários materiais e cortes de embocadura, flautas Conservatory, Signature, Sonaré e flautins! Será uma verdadeira festa de flautas em Lisboa! 

Para saber mais pormenores, é só entrar em contacto comigo por email! Ficaremos à vossa espera para um dia como nenhum outro!

A sala de experimentar flautas na fábrica da Powell em Boston—estará em Lisboa Domingo, dia 16!

A sala de experimentar flautas na fábrica da Powell em Boston—estará em Lisboa Domingo, dia 16!

Powell Flutes USA in Lisbon! Sunday, October 16th!

I have exciting news: Representatives Daniel Sharp and Rebecca Eckles of Powell Flutes in Boston, USA, will be in LISBON on Sunday, October 16th, to show an amazing array of flutes, piccolos and head joints!! They are popping over from Spain for a long day of "flute talk" with anyone who would like to try out these amazing instruments. 

Daniel and Rebecca will be on hand, along with myself, with a selection of Handmade Custom flutes made in platinum, grenadilla, sterling silver, and the new Ruby Aurumite Custom Flute. In addition, there will be a selection of Custom headjoints and piccolos, Conservatory flutes, Signature flutes and piccolos, and Powell Sonaré flutes.

Take this first-time-ever opportunity to join us by sending me an email to receive details about time and location. See you then!

The flute-testing room at Powell's Boston factory—coming SOON to LISBON!

The flute-testing room at Powell's Boston factory—coming SOON to LISBON!

Traveling & Surprises in a Small, Small World

Unexpectedly, I needed to make a trip to my hometown in California, and thus this blog entry comes late, my apologies. The quickest route from Lisbon involves a very tight connection at the Paris airport (walk FAST) and then a very long direct flight from Paris to Los Angeles. Amazing double-decker plane from Airbus, see below!

Now, can you imagine that in such an enormous plane my seat is right next to a prominent musician of the Los Angeles Philharmonic? (To my Portuguese friends, this is like being seated next to Ronaldo!) I mean, the LA Phil is "my orchestra": I grew up going to their concerts every weekend, listening to my teacher, Principal Flute Anne Diener Zentner's wonderful playing, as well as unforgettable moments like Carlo Maria Giulini's inaugural concert as Principal Conductor—Beeethoven's "Egmont" and Ninth Symphony. Divine. Bought a student/last-minute ticket for $5 and sat in one of the best seats in the house.

As it turns out, my plane-neighbor was not yet in the LA Phil at that time, but there are many players I fondly remember who are still there now, such as Bassoonist Patricia Kindel, who coached my quintet at Pomona College. So what was to have been a long, dreary flight became  total entertainment of shop-talk and comparing notes! A new professional friendship was formed, and Los Angeles arrived in the blink of an eye.

Last but not least, at one point my neighbor asked out of the blue: "Do you play Powell? They're the best!" Mind you, my new friend is not a flutist, nor knows that I'm a Powell dealer/player. But that is how Powell is considered by top musicians: the top, for the top jobs, worldwide!

The view before boarding—beautiful aeronautic design!

The view before boarding—beautiful aeronautic design!

TONIGHT: Mafalda Carvalho at the Winners' Concert!!

Calling all Lisbon-area flutists! Let's show up in record numbers for the Winners' Concert of the Young Musicians Prizes (Prémios Jovens Músicos) TONIGHT, at 9.30pm at the Gulbenkian Foundation. It has been SIX YEARS (!) since the last Sr. Division Flute Competition, so NOW is our chance to hear a flute concerto front and center! Those not in Lisbon can listen live on Antena 2 radio.

I exchanged emails with Mafalda, and let's just say she's had a BIG YEAR: finishing her Masters Thesis and training, touring with the Galiza Symphony Orchestra to Abu Dhabi, teaching, entering the Classic Orchestra of Madeira as 1st Flute—and winning this competition! As you might imagine, she's pretty much a master of organizing her work and her time! So exciting to see someone aim high and achieve their goals! Click here to read an interview with Mafalda on Da Capo Magazine.

Mafalda says that she feels a special affinity for the Nielsen Concerto, which explores many different moods. For the free-choice repertoire for the rest of the competition she relied, intelligently, on works that she loves and had previously played, bringing a new maturity to them this time around. That sounds like an excellent "recipe" for success! Don't forget that to arrive at this new maturity, there always has to be a first time around, too; all stages of development are important!

Now I just look forward to being there and hearing Mafalda perform the Nielsen with the Gulbenkian Orchestra! Tickets are free but get there early before the hall fills up! And to Mafalda, as we say in the US: "Break a leg"!! Or simply: "GO GIRL!"

Flutist Mafalda Carvalho 

Flutist Mafalda Carvalho 

Not to miss: Winners' Concert of the Young Musicians' Prizes—FRIDAY!

The culminating moment of the 30th Edition of the Portuguese Young Musicians' Prizes, the most prestigious national competition, now celebrating its 30th edition, will be the "Winners' Concert", Friday, September 23rd at 9:30pm at the Gulbenkian in Lisbon.

Happily, there is a flutist among the 1st-prize winners, the fabulous Mafalda Carvalho, who will perform the first movement of the Nielsen Concerto with the Gulbenkian Orchestra. Having been on the flute jury again this year, I can vouch for the very high level of all the candidates—and tell you that the flute competition (Senior level) was the most contested of all the instrumental competitions, with 32 candidates submitting recordings for the first round. So an extra bravo for all who entered, putting in hours of preparation and work. There is never anything to lose if you are invested in the work, even if you don't take home a prize, and much to be gained, namely "grit" and  experience!

Those not in Lisbon can hear the concert live on Antena 2, but tickets for the concert are FREE, on a first-come, first-served basis, so get there early and DON'T MISS THE SHOW! And let's give all our flute-community support to Mafalda! I'll have more on Mafalda tomorrow; stay tuned!

Mafalda Carvalho, 1st-Prize Winner, Senior Flute Category, Young Musicians' Prizes, 2016

Mafalda Carvalho, 1st-Prize Winner, Senior Flute Category, Young Musicians' Prizes, 2016

Faune-a-thon!

So we know what a marathon is, and we know what a phone-a-thon is, but what's a "Faune-a-thon"? It's when you play Debussy's "Faune" (Prelude à l'après-midi d'un faune, if you prefer) TWELVE TIMES in the same morning! I should know, because that's what was on the orchestra docket yesterday— luckily for a good cause:

The Portuguese national Youth Music Prizes is celebrating its 30th Edition this year by, among other events, staging its first-ever Competition for Orchestral Conductors, and our orchestra is their "instrument" for the live rounds, three in all. Yesterday was the first live round, with TWELVE candidates, all of whom had to conduct (the first half of) Faune, plus the 4th movement of Beethoven's First Symphony (first half, also). 

I am happy to report that it was actually fun, in part because the pressure was more on the candidates than on the flute soloist (for once). Secondly, as there was no time to talk, the approach in rehearsal to this famous and incredibly beautfily work was fairly existential—what's coming next? And thirdly, it was fun because the conductors were of an excellent level (Faune is a work that poses many difficulties and options for the conductor, too!)—another reflection of the amazing quality of music-making going on here in Portugal! Bravo, maestros!

Leon Bakst's famous program cover for the 1912 premier by the Ballets Russes, with Nijinsky as the Faune.

Leon Bakst's famous program cover for the 1912 premier by the Ballets Russes, with Nijinsky as the Faune.