Namaste — Welcome to India!

We've arrived! Smooth flights, friendly passengers next to us, even sleep on the plane! Delhi is recovering from the smoke-out much in the news last week, and we (wind players!) are grateful! 

So far, the most striking thing is the kindness and competence of the people here—having had our luggage miss the connection in Heathrow, our first task was to get that sorted out. Helpful people at every step, most appreciated. We're acclimating in a gorgeous hotel and that helps, too, but it is clear that courtesy is common currency here.  

Along these lines, I've learned that "namaste" is not a greeting for yoga classes only! The word, palms-together and slight bow greeting is the norm here for everyday use—a beautiful gesture which colors one's experience immediately. For the rest, some photos from the first day: colorful contrasts!

Syrinx : XXII colleague António Carrilho at the beautiful airport in Delhi, India

One of many different modes of transport in Delhi — great colors! 

A healthy "mocktail" with ginger, raspberry and lime—cheers! 

Refreshing cucumber drink, a great cure for traveler's dehydration! 

Syrinx : XXII Reunited on a new/old continent! 

Amazing INDIA! Syrinx : XXII Tour!

We're almost on our way…to India!! A huge, storied country I've dreamt of visiting for decades! Best of all, I'll be there with my colleagues of Syrinx : XXII, António Carrilho, recorders, and Raj Bhimani, piano, performing in numerous cities and venues in various parts of this enormous country. A life in music occasionally brings these extraordinary rewards, to compensate for the hours of slogging away in a practice room, no?

I've set up a page about the tour on the site, and will be blogging as we go along. So follow us here on this adventure, starting on the 11th of November. For as much as I've heard and read and especially EATEN of Indian culture, I've also heard that it really must be experienced in person, and is one of the most memorable destinations in the world, so bring it on!

Here's the poster for our first performance, in a more casual setting: the Jazz Club (!) of Delhi! Poster and concert presenting by Sardana Creative Consultancy—thank you!!

Syrinx : XXII—photo by Rita Delille

Ravel's "Mother Goose" returns to the CCB in December!

Parents and the young-at-heart, take note: "A Minha Mãe Gansa" ("Mother Goose") will be performed on December 16th, Friday, in the Large Auditorium of the CCB at 6pm. It is a wonderful multi-media mix of storytelling and the music of Ravel performed live by the Lisbon Opera House Orchestra.

This production, previously presented in the "Dias da Música", was conceived several years back by Madalena Wallenstein of the Fábrica das Artes at the CCB and myself, with a brilliant and moving script also by Madalena Wallenstein, art/video by André Godinho, and narration in this production—co-produced by the CCB and the Lisbon National Opera—by actress Natália Luiza.

"A Minha Mãe Gansa" is somewhat akin to Prokofiev's "Peter and the Wolf", but with stunningly beautiful music by Ravel and perhaps more insight into the connections between music composition, the instruments, the "Mother Goose" stories—primarily from 17th and 18th-Century French fairy-tales—and the magic of growing up and realizing your dreams.

We are still some six weeks off, but I recommend purchasing tickets NOW (6€ only!) to secure a good seat for a wonderful pre-Christmas event for all!

Drawing for "A Minha Mãe Gansa" by André Godinho

Helianthus—a terrific ensemble!

What a pleasure to hear the Helianthus Ensemble at the Music Room of the Queluz Palace on Friday evening! Aside from the perfectly balanced combination of period instruments—late 18th Century— and the fact of the concert being in a "period" concert hall, as well, it was simply wonderful to hear great players enjoying playing together! 

The give-and-take of chamber music was present at every moment, whether it be in the cellist's delight in the bass line, or the violin's discreet agitation of sixteenths in an accompaniment passage giving way to "stealing" the tune from the flutist! The harpsichordist (it was really a cembalo, I believe, with metal strings but hammer-action rather than plucked—I need an expert to sort that out for me, please!) was duly discreet UNTIL it was his moment to shine. Which was actually a lot, especially in the Mozart Concerto Op. 107, with real Mozart cadenzas as a bonus!

My favorites were perhaps the Danzi, of wind quintet and Flute Concerto fame, and the Haydn Trio for Flute, Cello and piano/cembalo. For the flutist (Laura Pontecorvo, see previous blog!) both were full of fancy filigree and rhythmic gestures contrasting with the most expressive, soaring melodic lines. Ditto for the others; it was a sort of musical game of chess—pure Haydn-esque fun, and delightfully executed!

Bravo to the Helianthus members, and come back soon!

Laura Pontecorvo, flute, Guido Morini, cembalo, Iskrena Yordanova, violin, and Marco Ceccato, cello—Helianthus Ensemble

Friday! At Queluz Palace - A Rare Chance to Hear a Classical-Period Flute!

How many times has you heard Mozart performed on the kind of flute that he actually wrote for? Not many, if you are like me! So this Friday, at 9.30pm you'll have a rare chance to hear his music, along with other galant and classical composers, performed by the Italian flutist Laura Pontecorvo, and her Helianthus Ensemble in the perfect setting at Queluz Palace, outside Lisbon.

Laura, a fantastic teacher and versatile performer of "early" flutes, will be performing on a copy of a Grenser flute that she found in the oddest way—read the story here! Kind of like finding a Stradivarius in your fire-wood pile…Such luck!! This flute has 5 keys, as opposed to the one-keyed baroque flute, and was a dominant instrument in the second half of the 18th Century.

In this concert, Laura will perform with her Helianthus colleagues Iskrena Yordanova, violin, Marco Ceccato, cello, and Guido Morini, harpsichord, in various formations from duo to quartet, and including music by Haydn and Danzi among others. So it is really a fantastic and rare opportunity to hear "Mozart's Flute" in its natural element, with other instruments of the same period, and performed by top-notch players! For more information on the program, click here!

After all, for all that we've heard about his not liking the flute, Mozart did not write a famous opera called "The Magic…Clarinet"!! 

Laura Pontecorvo, founder of the Helianthus Ensemble

Stephanie Wagner, Powell Flutist

Well, this was to have gone out on her birthday earlier this week, but I got distracted/tied up… I just thought I would kick off a series of blog entries on some of the wonderful flutists here in Portugal who are Powell players, and who better to start with than my wonderful colleague Stephanie Wagner?

Stephanie has been the flutist of the Remix Ensemble of the Casa da Música in Porto for over ten years (congratulations!!). So obviously she has a special interest in contemporary music, and as a Remix member, she has performed solo works, as soloist, and in ensemble pieces of all kinds all over Europe! You can check out some of her recordings on her website, of course!

Furthermore, Stephanie was the "driving force" behind the creation of the Summer Flute Academy (Academia de Flauta de Verão), which will celebrate it's 5th edition next July. Together with myself and the fabulous Raquel Lima (Prof. at ESMAE, Porto), Stephanie brought to fruition a dream of making a new kind of summer flute course, where students are constantly challenged, and where they spend most of the day on their feet playing, and also learning about many "lateral" aspects of being a musician. Thank you Stephanie for having so many great ideas, and for inviting us on board for the ride!

Stephanie plays on a Powell flute that she bought while she was studying at the New England Conservatory with (Powell player) Fenwick Smith (2nd Flute of the Boston Symphony), as well as a Powell Piccolo. She is also a big proponent of "low flutes" and plays and is the representative in Portugal for the alto, bass and contrabass flutes of Eva Kingma, of Holland. Talk about versatile! For more information on someone having a very interesting and creative career, see Stephanie's website as well as our revamped site of the Academy!

Stephanie Wagner, Powell player, Remix Ensemble; Photo ©Susana Neves